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Painting Marseille, Notre Dame de la Garde by Frédéric Thiery | Painting Figurative Urban Acrylic

Painting Marseille, Notre Dame de la Garde by Frédéric Thiery | Painting Figurative Urban Acrylic
Marseille, Notre Dame de la GardePainting Marseille, Notre Dame de la Garde by Frédéric Thiery | Painting Figurative Urban Acrylic
Marseille, Notre Dame de la GardePainting Marseille, Notre Dame de la Garde by Frédéric Thiery | Painting Figurative Urban Acrylic
Marseille, Notre Dame de la GardePainting Marseille, Notre Dame de la Garde by Frédéric Thiery | Painting Figurative Urban Acrylic

Description artwork

This unique and original contemporary artwork "Marseille, Notre Dame de la Garde" on the subject of Urban has been created by the contemporary artist Frédéric Thiery.
The artist used Acrylic medium on Canvas to create this Figurative, Large size painting.
information
  • -

    Style : Figurative

  • -

    Subject : Urban

  • - Size : 50 x 50 cm
  • - Colors : Multicolored
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    Medium : Acrylic

  • - Compatible frames : 50 x 50 cm
  • - Is framable : yes
  • - Format : Large
  • - Material : Canvas
  • - Mounting type : Artwork mounted on stretcher frame
  • - Our recommendations : Best-sellers' artworks
  • - Exhibited in Gallery : Marseille l'Expo
Unique and certified artworks

Frédéric Thiery
Frédéric Thiery France
Inspired by a painter father, Frédéric was interested from a very early age in drawing and painting. He studied fine arts at the University of Aix-en-Provence.After graduation, he moved to southern Spain where he discovered various crafts: leather work, silk painting, jewellery making…By being in contact with these artisans he learned to make leather accessories (belts, bags) and experimented with cold enamel work (producing the same aesthetic effect as enamel, but without firing). He attended a workshop on porcelain painting to learn this technique and soon he experienced the urge to paint on canvas.He returned from time to time to France, where the landscapes of the south inspired him. In the early 2000s, he had a decisive encounter with an art collector, who encouraged him to study the masters of the Provencal and Barbizon Schools from the late nineteenth and early twentieth centuries.
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